Tag Archives: littéraire

Onirikk – Volume 1: the last of the Saïwa

The Story Of Onirikk

Norval Séguin, 15, would like to find a solution to get his father out of the catatonic state in which he is plunged for many years. During a visit to the hospital, Norval meets an eccentric woman, Magdalena, who tells him that his father is a prisoner in the World of Dreams, Onirikk, and that he alone can deliver him from there and save him from his lethargy, But … will he come alive from the territories of Nightmares?

As the last Saïwa, he is the only one who can undertake this epic and perilous adventure!

About The Author

Born on July 30, 1970 in Montreal and graduated from the National School of Humor in 1997, Patrick now teaches there Creativity and Humorous Writing since 10 years. He collaborated with the texts for the shows of the humorist-storyteller Boucar Diouf “L’Africassé-e” and “Pour une raison X ou Y”.

He has been a writer for the program “On Connaît la chanson” at TVA and “Mort de rire” at Vrak TV. He has participated, as a humorist, in galas as much to “Juste Pour Rire” (“Just For Laughs”) as for the “CommediHA!” And the “Comédie Club”. Most recently, he coached people aged 65 to 90 years for the humor show “Les retraités en spectacle”.

He is the inventor of Speed ​​Creating. A creative group technique to optimize ideas and projects. Inspired directly from speed dating, this technique of creativity is adapted to the contemporary way of life: pleasure and speed. The method of speed creating is therefore based on the first ideas that arise, without intellectualizing the whole, and moved by a concern for speed and maximum efficiency.

Patrick Tremblay regularly teaches companies on corporate creativity and his lecture, “L’humour comme associé” (wich means “Humor as a Partner”). He is the inventor of Cré-O-Nirik: a non-competitive, interactive and collaborative teaching card game that stimulates imagination and creativity.

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The interview of the novelist S-P Decroix in 7 questions!

Today, we are zooming in on SP Decroix, the author who has just published her novel La Princesse du fond des Temps (The Princess of the deepest Times), which arouses great interest on the part of many readers have pre-ordered their copy prior to its release.

We asked her a few questions so she would have less secrets for you …

1 / How many years have you been writing and how did you start writing your first novels?

I have been writing novels since I was 16 years old. I am 41 years old today, it can be said that I have been writing for 25 years. But, I must say that I had begun long before, writing poetry.

2 / What was your intention when you wrote La Princesse du fond des Temps (The Princess of the deepest Times)?

This question also answers the second part of the first.
When I wrote this fantastic tale at the age of 16, my very first, it was above all for my sisters Emmanuelle and Aurore aged at the time of 12 and 7 years. I wanted to change their ideas, to introduce them to the magic of dreams. And at their age, what better way than a beautiful heroine with a harsh character in search of an extraordinary adventure?

3 / To write to you, it is …

to escape, to invite others to travel in my worlds, is also to share, quite simply.
I find it wonderful to tell myself that I manage to make people dream, to transport people with me, “elsewhere”, just with words … it’s really fantastic.

4 / What do you have in common with the heroine of your novel, Sokorie?

No doubt: my determination, because it took me time, hard work and courage to get to where I am now.
There were many obstacles, I do not doubt for a moment that there are certainly others, but I am and will always remain standing, even if I have often doubted it. And it’s good to know that an editor really believes in you. I would never thank Lysons enough editions for their support.

5 / If you were to be the heroine of a legend other than that of the Princess of the deepest Times, what would it be?

It is certain that I would not be a new “Snow White” or “Cinderella”. I like that my heroines are a little more “resourceful”. So I would rather think of a Legend like that of “Mulan“, a great-hearted adventurer who was probably one of the first to be in the fight of prejudices. She could be assimilated to the female cause, just like the “Princess Leïa” of “Star Wars”.
Strength” is with them but not only; gentleness, intelligence also, and again: determination.

6 / You have had many literary prizes, how do you live this recognition of your work and this growing awareness?

Yes, I’ve been in competitions for a long time. It is always moving to know that your work is enjoying and that it is rewarded. But I do not think I have real notoriety. it is necessary to be wise and to remain humble because the way to be “recognized” is stony, and if to reach the summit is difficult, to fall is very easy, on the contrary. So I want to keep a cool head and act with caution, wisdom. On the other hand, if I can put this “recognition” at the service of just causes, I will do it. It is also in this context that I participate in the event of September of the “Pièces Jaunes” Foundation of my region.

7 / If you had a single message to convey to your readers, what would it be?

Hope is what keeps human peoples apart from darkness. Particularly during troubling, difficult, even atrocious events. It is also this fragile flame that allows us to see “further”. Believe in your dreams. Believe in yourself and always keep hope.

Interview carried out on August 14, 2017 by Leandro De Carvalho for Lysons éditions. Thanks to Sandrine for answering our questions!

Join S-P Decroix on her Facebook page, or on the official page of The Princess of the deepest Times.


Format STANDARD, 23,5×15,5cm, Black and White, Pages inside cream, shiny cover, 128 pages.

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[Zoom] on the novel

Zoom on the novel

Even the most reluctant to read one day had a novel in his hands. Whether it is because of a reading imposed by the school or any other occasion. Indeed, the novel is the most widely read genre in France. But, what exactly is a novel?

It is a literary genre, characterized by a fictional narrative, and which has multiple subgenres (fantasy, detective, science fiction …).

Origins of the novel

The term “novel” (Latin vulgar) means a Romanic translation of a text written in Latin. French literature born of the Strasbourg Oath, first text written in “novel”. This pact (of legal value) between the grandsons of Charlemagne was written in 842. Before that date, all the texts were written in Latin.

In the Middle Ages, in the twelfth century, the novel was written in verse. He thus evokes, through stories fabulous and close to the epic, the questions that concern most people at the time. In the 13th century, the worms became proses in the adventures of Lancelot du Lac. From this point on, the novel genre really develops.

The novel knows its hours of glory since the nineteenth century, whether historical, adventure, science fiction …

“Reading a novel throws light on life.” (Louis Aragon)

See you soon for a new “Zoom on …”

Maud Wlek, author of Nayra available on lysonseditions.com

Is a writer what he writes?

I am what I write.

Is the writer really what he writes? It is a phrase I like to affirm and to which many writers could identify… or not!

Indeed, when this sentence was read, at first sight, one could say that there is something to be afraid when one reads certain writers! For, not everyone writes romance novels or heroic and epic adventures! What is the part of truth and invention in a novel, a book? Where is the essence of the author who completed his work? Is a book just an exercise in style? What does he really reveal about his author and about us? Let’s look at these different points together, and it is a writer who speaks to you! This new approach to writing could well change your look at reading …
Are you sure you keep reading what follows?

All right…

A truth disguised or highlighted

What is true and what is false in what a writer can write? The writer is known to know perfectly how to speak Molière’s language, letters and rhetoric, so it is perfectly legitimate to ask himself whether he is authentic and whether everything he writes reflects the truth or Is a pure exercise in style and imagination?

Although the writer has a great deal of knowledge and verb, he is skilled at expressing in writing what he may not be able to say or reveal by word of mouth. Others, on the other hand, excel in both writing and speaking, but what matters is that he has things to say and a message to convey.

If some writers manage to communicate a clear and clear message, for others it is very difficult to understand at first reading what they meant! However, can he write about subjects that he does not know or feel intimately? Can he actually put words on what he has never experienced personally? Of course, you would tell me immediately! And I will say no. And I explain myself!

When a writer undertakes the writing of a fiction, it has a whole work of observation, investigation and understanding before approaching a subject that is particularly close to his heart. This is a crucial step for the credibility of a universe and the atmosphere it must generate. The illusion must be perfect! This is what makes a work appreciated by the reader: its striking realism, as if we were immersed in the heart of the story and we felt exactly the emotions of the characters; We are not only readers but actors of history; We identify with certain characters, we empathize with them, history makes us live emotions and opens us to understanding.

Everything we feel at the moment of our reading is closely related to the emotions that we could live in real situations! The same goes for the writer when he immortalizes his emotions on paper. As incredible as it may be: everything written by an authentic writer is deeply felt, at different scales certainly, but he cannot share a feeling or an event that would not first have reached his mind in some way ! In this he consciously or unconsciously associates a fictitious or semi-fictitious event with a memory or an emotion that he himself would have lived in his own life. As a film actor imbues himself with his own emotions to embody a character on the screen and give the impression of a perfect illusion, the writer must necessarily soak up his personal history to bring into the world a universe that will be authentic, not by its form, but by the depth with which the writer has chosen the right words to immerse us in the reality he has created in all sincerity. He can not give what he does not have intrinsically.

What is true in any writer’s work is the authenticity with which he shares his emotions. He does not need to have literally experienced what his story tells, but by writing it he transposes his feelings and feels them strongly about the present moment, along with the reader. Exactly as in a film, with an infinite richness of details and an unparalleled freedom of imagination! And that’s what makes the magic of writing! The reader fully appropriates history, transposing its own psychic projections onto those already transcribed. Thus, the reader puts familiar faces on characters that are agreeable to him and unpleasant faces on those who displease him, all this is done in an unconscious way, but actively participates in the pluridimensional character of the work!

A book is always born a second time in the mind of the reader. And it will be like this eternally, is not it magnificent?

A book does not just read, it lives! Although everything is not “real” (in our physical dimension) and the result of the fruit of the imagination, the materialization of its universe resulting from the psyche by words makes it real in the dimension of our imaginary and palpable even in our regions !

Beyond Words…

The authenticity, the very essence of the author, what is deep within himself, often hides between the lines! We might even assert the following phrases, as I myself maintain:

Tell me what you write, I’ll tell you who you are. Tell me what you like to read, I will tell you what you aspire to!

For me, writing transcends speech.

Why?

The writing style of the writer is very revealing of his personality; He does not need to speak, his writing does it in his place. Through it, an infinite amount of information is communicated to us voluntarily or not. Indeed, the way in which one word is used rather than another, to use one phrase rather than another, and to assemble the sentences to one another, reflects the author’s way of handling the verb; Perhaps with simplicity, subtlety, on a mystic wat, meticulousness, intellectuality or complexity. He can not express himself otherwise than what he can not be himself! It seems so obvious. Even if he decides to use terms that he would not normally use in everyday life or to create a pastiche or a parody, if he does it is because he has everything to Makes the abilities and it is a facet of himself that he prefers to turn into derision!

The writer is not fixed to a single register, just as man keeps evolving over time, he also evolves through his writings and the events he lives. The most important, and the most revealing, about himself is the message he has to convey to us.

Why did he write his work and what did he want to tell us through it?

It is no coincidence that we like to study or comment on texts in literature; to raise the veil or to try to understand what a writer does not express in his writings is the essence of the writer. The essence of the writer is both in what he tells us and what he does not tell us! What he tells us and what he keeps silent about is extremely important and meaningful! The ideas he shares have reached him and found refuge in him, feeling a need or a duty to transpose them black and white, to make us share. And if they have found in him a hand disposed to be at their service, it is because at bottom his heart has been sensitive, touched, aligned with the same vibration as this idea or felt the need to transpose them. This can not be the result of chance and it is in this that a reading is exciting and could be the subject of a thorough psychoanalytic study! We read what is said and both we reflect on what is implied and not explicitly stated. There lies the genius of a work. Every book has an important message and often offers us answers to the questions we posed consciously or unconsciously through the verb of an author who expresses for us what we needed to hear to unlock a personal situation Or orient us towards the right choice, the right attitude to adopt in a decision that we would have to take…

Each book speaks to us and reveals to us, just as every written line is the materialization of the vibratory wave emanated by the writer himself at the moment when he writes it. That’s the magic of writing! And it is doubtless this authenticity, this spontaneity that makes the pleasure of reading perpetuates through the centuries and propels authors to a resounding success, succeeding in vibrating with the same intensity that at the time of their writing of the millions of readers around the world!

What does a book tell us about its author and about ourselves?

Books are rich in meaning. This is what makes every work an immeasurable treasure. A book has several readings and as many possible interpretations as human beings on Earth! An authentic writer is necessarily open-hearted! What does a book about its author reveal? And about ourselves?

Only he holds the key to all the mysteries that reign over him, but he can not hand it over to others, for he is the guardian of his psychic and social stability. Its secret garden allows it to make it bloom more beautiful to the delight of those who will want to venture there by reading his books and what he will tell us…

Each book has a soul. A book is a heart that beats. A book is love materialized by writing.

A book is a part of oneself that one finds. It is an inestimable gift that writers offer us in the writing of their work when they are procured, for they not only give themselves up, but deliver us from our preoccupations to bring us back to ourselves and to one of the shortest paths to love: empathy.

The real question to ask is, how far do we want to go in the author’s intimacy and how far are we ready to plunge deep within ourselves?

Writing is an act of love, issued without expecting anything in return. Reading is the best act we can do to continue to spread love and bring us closer to our essence. There are secrets they will probably never reveal to us, but if we keep our eyes open, we could perfectly read between the lines and find out what the book has to say…

Each reading is a prelude to a revelation.

What if the reader was also what he read? There is also reason to reflect on the question! In the meantime, take care of your readings and keep your mind open to the messages a book wants to communicate to you! A book never falls into our hands by chance…

Article written by Leandro De Carvalho, author of Living In Harmony.

The fantastic: a subtle, engaging and revealing register!

Great follower of this register in particular, both in reading and writing, I am delighted to be able to tell you a little more about the fantastic.

The different literary genres

First, let’s make a global point. There are several literary genres:

  • poetic,
  • narrative,
  • theatrical,
  • epistolary,
  • argumentative,
  • descriptive,
  • graphics
  • And experimental.

Each has subgenera and registers. If you want to know more about the subject, I invite you to consult this page which will detail you perfectly the various genres, subgenres and registers in literature: To know more.

Thus, the fantastic is a register, classified in the narrative genre. Until then, you follow me? Perfect. It is not easy to find oneself, I grant you …


The fantastic: between magic and reality!

Let us now get to the heart of the matter: the fantastic. In this literary register, the supernatural is introduced and evolves in a realistic framework. The hero has a reaction of rejection or fear in the face of the supernatural events to which he is confronted. Not to be confused with fantasy or the wonderful. In fantasy, as in the marvelous, the supernatural is accepted and often used to define the rules of an imaginary world; The evoked imaginary is perceived as a norm and far removed from our reality … (The Lord of the Rings, A Song of Ice and Fire, Harry Potter …).


The origins of the fantastic register

Definition given, let us pass to the origins of the fantastic. The true source of this genre is the English Gothic novel, which appeared at the end of 1785. At that time, authors created a more pronounced atmosphere of horror in their works, propelling readers into a common query: what is real And what is not? In France, the authors are inspired by these novels and propose works called “frenetic” (or called “black romance”), including in these last the taste for the macabre or the horror. Frenetic romanticism thus rejected the spirit of the Enlightenment, as did the classical rigor of the time.

Finally, strong in these influences, the fantastic register was born in Germany at the beginning of the 19th century thanks to the writer Adelbert von Chamisso. But it is Hoffmann (Ernst Theodor Amadeus Hoffmann) who will have a universal influence on this register. Moreover, it is through his tales, translated into French in the 1830s, that the Fantastic will experience a real rise in France. Great authors have tried it: Honoré de Balzac, Théophile Gautier and Guy de Maupassant. It should be noted that the fantasy registry has often been used to circumvent censorship, and to disseminate, for example, political criticism or certain claims without fear of possible retaliation.


A subtle, engaging and revealing register!

The characteristic of the fantastic would be to reveal things that are usually hidden and that we do not want to see.

According to Lovecraft, the fantasy must provoke a fear in order to generate a catharsis (releasing its repressed emotions) in the reader. Thus, the supernatural manifestations in the fantastic are mostly harmful, but it is, it seems, for our good! I do not get tired of it!


Where to find the fantastic book in the books?

In a non-exhaustive way, I quote here some of the literary works, in the fantastic register, the best known or which have had an impact in the appearance of this register:

  • Otranto Castle, Horace Walpole, 1764 (inaugurates the genre of the Gothic novel);
  • Vathek, William Beckford (one of the leading novels of frenetic tendency, written in French by an English author in 1786);
  • The Elixirs of the Devil, Hoffmann, 1815;
  • The elixir of long life, Honoré de Balzac, 1830;
  • The Leader of Wolves, Alexandre Dumas, 1857;
  • The Horla, Guy de Maupassant, 1887;
  • He who haunted the darkness, H. P Lovecraft, 1935;
  • Shining, the Light Child, Stephen King, 1977;
  • Journal of a Vampire, L.J.Smith, 1991;
  • Twilight, Stephenie Meyer, 2005.

To conclude, I will reveal to you what I like to think:

The fantastic is to be free, while keeping a little bit the feet on Earth …

Article written by Maud Wlek, author of Nayra.